Drunker’s Path Quilt Pattern and It’s Historical Roots With W.C.T.U.


The last quarter of the 19th century an movement was started to rid the country of beer and liquor.  This led to the Prohibition of the sale and manufacturing of those drinks in the second decade of the 20th century. Families and women suffered from abusive drunk men who spent too much money in saloons. Women’s Christian Temperance Union was the force behind getting rid of “the demon rum” and they organized all over the country.  The group was organized in 1874 and grew to 350,000 members in 1907.  They would march and have demonstrations by busting up pubs while smashing bottles and barrels of liquor.  One of the ways they financed and raised money for their cause was raffling quilts.  More quilts were used for this cause to raise money then any other time.  They adopted the English pattern as their own.  W.C.T.U. renamed it the Drunkard’s Path.  They also adopted the colors blue for water because it was the purist drink and white for purity.  So many of the quilt were blue and white in this pattern.  We now know that red and white was the most common two color choice for this pattern.  This was verified during the late 20th century state’s quilt projects that recorded and photographed family heirlooms in all the states. This pattern had several common names today, Solomon’s Path and Old Maid’s Puzzle.  The pattern originated in England and is also known as Mill Wheel, Wanderer in the Wilderness, and Rob Peter to Pay Paul. The W.C.T.U. is also associated with the “T” quilt block.  That block was made before the movement started but was also used to symbolize the organization and their cause.

You can read more about the quilts that were done by the W.C.T.U. at Quilt History Tidbits.


I have chosen this block for my 19th century quilt to demonstrate sewing curves also because it’s role in quilt history.  It takes a little practice in sewing curves but after that it should be easy to do.

You can find the pattern for Fons and Porter pattern at their web site.  Also there is a great picture of a antique quilt with some of the history.


The pattern that I am using for this block came from McCall’s Quilting.  They have laid the block out in a wedding ring lay out but the blocks can also be laid out as a Drunkards Path.


The pdf file is here for the pattern:



To make this you will need to cut:

8 quarter circles of dark fabric

8 quarter circles of light fabric

8 corner pieces of dark fabric

8 corner pieces of light fabric

You will make sixteen blocks of 3 1/2 squares that will be laid out in a 16 patch block. You will alternate between light and dark fabrics.


I chose the traditional blue in shades of indigo and white muslin.  This would have been the choice in the late 19th century.  Many women wore dresses of indigo calico to work in around the house because it was a stable color that didn’t fade very fast.  In fact many wash day dresses were indigo because of the abuse a wash day dress took from splashed water and strong soap.

The pieces were cut out by hand from the template.  I cut the straight sides of the template with an additional 1/4 inch on each side.  This is extra insurance for wonky blocks. I didn’t want to have to sit and rip out curved seams.  I would rather square them up.  I pin mine like demonstrated in the video and sew them taking one white and print pieces and putting the right sides together.


The pieces are each ironed, pressing to the seam allowance to the dark side. In this case the pieces are to be squared up to 3 1/2 inches square.  I used a square up ruler that size and I trimmed the paper template on the curve to the sewing line and the flat sides were trimmed to the cutting line. I taped the paper template on top of the square up ruler.


To square up the block I would line up on the curve, then trim with the rotary cutter.  As you can see in the next picture, my blocks were wonky.  I needed that extra i/4 inch to square up on.


After all the blocks were squared up, I laid them out in a Drunkard’s Path pattern.  I can see why the Amish liked to call this the Old Maid’s Puzzle. I had to fiddle with it a little bit to get it to cross in the center.


I chose to sew the pieces in four strips but you can chose to sew them in four square sections if you are inclined too. Sew it the way your are the most comfortable working with. Make sure you check your seam allowance is an 1/4 inch after each seam is sewed.  This helps you to maintain the correct size so it all fits together easily when you sew the strips together.


The last step is sewing the four pieces together.  Your block will be 12 1/2 inches when you are done.


So far I have made  26 different patterns for blocks.  There is only 4 blocks to go to have enough for a queen size quilt.  I am not sure what the next 4 blocks will be.  I will lay out the blocks that are finished on the bed and see what I need to make the quilt look nice.  I will probably need a few more novelty blocks to balance out with basket, tree and mariner’s compass.

13 Comments Add yours

  1. Wanda Dotson says:

    I always learn something from you. I’m thinking about using those circles in a modern butterfly block. Having that extra 1/4 inch, then cutting it down, will make all the difference in whether I actually make the blocks.


    1. trkingmomoe says:

      I always over size my cutting. I am the queen of the wonky blocs. Actually it is good insurance so you are able to correct and straighten up your blocks. There are some nice 1930’s patterns for butterflies that are very modern looking. You got me thinking. I will have to do some googling. because I want to do a depression sampler quilt.

      Thanks for stopping in. .


  2. Quiltaholic says:

    Your blocks are very impressive. I don’t think I would ever have the discipline to battle all those points and curves but I can still admire them.


    1. trkingmomoe says:

      All these blocks have been on my bucket list for a long time. I just decided to make them into a sampler quilt. Thank you for your comment.


  3. Kev says:

    Nice bit of history there.


    1. trkingmomoe says:

      Thanks. Women have a history that has been mostly ignored until the resent years. I think the women studies at universities in the last quarter of the 20th century brought about the interest in it.

      Thanks for taking the time to comment.


      1. Kev says:

        Yes. It does help to have women’s studies…their achievements have been ignored for far too long. It may help to actually integrate some of these studies into regular studies as well, rather than having specialised in a way that only attracts women to learn about them. -+


  4. KerryCan says:

    I love reading the history of the blocks and I picked up some useful tips here–thanks!


    1. trkingmomoe says:

      I try to keep it interesting as much as I can. There is many tips and techniques that were handed down before the rotary cutter. They are still useful to know. I still use hand piecing techniques to help with correcting miss matched seams and tricky places. I have no problem with drawing lines to follow with the sewing machine or trying to make a point. There is sometimes that hand sewing is the only way to correct or make it work. I think we all have been there with that.

      Thanks for stopping in.


  5. Liz says:

    What a lovely looking pattern. Thanks for sharing so much information!


    1. trkingmomoe says:

      The quilt does have quite a history to it. Thanks for stopping in.


  6. Over the years, I have hand-pieced couple of Drunkards Path quilts. I had no idea of the history until now. Thanks.


  7. skalabara says:

    Thanks for sharing not only the historical background of the block but also the tutorial !


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